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・ Circle packing in an equilateral triangle
・ Circle packing in an isosceles right triangle
・ Circle packing theorem
・ Circle (band)
・ Circle (Big Head Todd and the Monsters song)
・ Circle (Boom Bip and Doseone album)
・ Circle (company)
・ Circle (country subdivision)
・ Circle (disambiguation)
・ Circle (Eddie Izzard)
・ Circle (Edie Brickell & New Bohemians song)
・ Circle (jazz band)
・ Circle (Kaela Kimura album)
・ Circle (Marques Houston song)
・ Circle (sculpture)
Circle 7 Animation
・ Circle 7 logo
・ Circle 8 Ranch
・ Circle B Bar Reserve
・ Circle Bar
・ Circle Bar Racing
・ Circle bundle
・ Circle C Ranch
・ Circle Centre
・ Circle changeup
・ Circle Circle Dot Dot
・ Circle City
・ Circle City Airport
・ Circle City Classic
・ Circle City Derby Girls


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Circle 7 Animation : ウィキペディア英語版
Circle 7 Animation

Circle 7 Animation, or Disney Circle 7 Animation, was a short-lived division of Walt Disney Feature Animation specializing in computer generated imagery (CGI) animation and was originally intended to create sequels to the Disney-owned Pixar properties, leading rivals and animators to derisively nickname the division "Pixaren't".〔 The studio did not release any films during its existence.
The division was named after the street where its studios were located. Circle Seven Drive in Glendale, California is also home to KABC-TV.〔
==Background==
Pixar and Disney originally had a seven film distribution agreement that gave Disney full ownership of Pixar's feature films and characters, as well as sequel rights. With the success of ''Toy Story 2'' in 1999, then-Disney CEO Michael Eisner and then-Pixar owner Steve Jobs began to disagree on how Pixar should be run and the terms of a continued relationship.〔 Eisner claimed that ''Toy Story 2'', as it was a sequel, did not count towards the "original" film count of the agreement, though Jobs disagreed. Jobs announced in January 2004 — after 10 months of negotiations — that Pixar would not renew their agreement with Disney and would seek out other distributors for releases starting in 2006. Jobs wanted Pixar to receive most of the profits that their films made (giving Disney the standard 10% distribution fee) as well as full ownership of any future films and characters that the studio would create post-''Cars''. Eisner found these terms unacceptable.
Pixar executive producer John Lasseter (who had personally directed ''Toy Story'', ''A Bug's Life'', and ''Toy Story 2'') endured terrible anguish about the breakdown of the Disney-Pixar relationship, as he was deeply worried about what Disney might do with the characters Pixar had created. When he had to announce what had happened at a meeting of Pixar's 800 employees, he reportedly said, through tears, "It's like you have these dear children and you have to give them up to be adopted by convicted child molesters."〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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